Between November of 1881 and July of 1890, Vincent van Gogh painted almost 900 paintings. Do paint over using the same type of paint used previously. If a water based paint (latex) was used last, then use a water paint this time to paint the playhouse. Use an oil-based paint to paint over a previously oil-based painted surface. If in doubt, use a water-based paint because it is easier to apply, fast-drying, helps prevent moisture problems, and the clean up is easier.
Painters deal practically with pigments , 6 so ” blue ” for a painter can be any of the blues: phthalocyanine blue , Prussian blue , indigo , Cobalt blue , ultramarine , and so on. Psychological and symbolical meanings of color are not, strictly speaking, means of painting. Colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music (like a C note) is analogous to “light” in painting, “shades” to dynamics , and “coloration” is to painting as the specific timbre of musical instruments is to music. These elements do not necessarily form a melody (in music) of themselves; rather, they can add different contexts to it.
Even though traditional oil-based paint can stand heavy foot traffic, it is banned in several parts of Canada. It is best to use latex-based paint because it releases minimal fumes. Also, you can simply use soap and water to clean it. And, it dries quicker than oil-based paints. No matter what paint option you choose, keep the doors and windows open for ventilation and use mask for safety purposes.
The painting as art served ancient peoples as a medium to purify and refine the human spirit. The well studied and observant artist through his own meditation gives life to the animated states, feelings, and spiritual essence of the animals and humans he paints. The purification or refinement of the observer’s spirit occurs through the inspired artist’s ability to communicate the subject’s (man or animal): spirit, animation, feelings, thoughts, and the scene or stage of the subject, with all of its colors and form.
Despite the undeniably eye-pleasing nature of his paintings, Anoro insists that he is not a painter of beauty. Rather, he considers himself ‘a painter of happy situations’ – a storyteller. What he wants most, he says, is to paint about those things for which he cannot find the words: ‘the blinding brightness of Menorca… the colours of Senegal…’ Some visitors on holiday in Menorca may experience the same sensation as Anoro – that words are simply not enough to describe this spectacular island.